sábado, 9 de marzo de 2013

PHOTOS OF THE BEATLES AT SHEA STADIUM IN NEW YORK EXPECTED TO FETCH $25,000 AT AUCTION


  • Photographs by amateur snapper Marc Weinstein taken on August 15 1965
  • Auction marks 50 years since the release of the album Please Please Me

Photographs from The Beatles' record-breaking Shea Stadium show are to go under the hammer this month to mark 50 years since the band released their debut album.
The 61 pictures, taken by amateur photographer Marc Weinstein, are expected to fetch £15,000 at the sale at Omega Auctions in Stockport on March 22.
The black and white shots capture the Liverpudlian four-piece at the peak of Beatlemania as they began a US tour.
George and John during The Beatles' Shea Stadium show in New York in August 1965. The image, taken by amateur photographer Marc Weinstein, is part of a collection of 61 pictures due be sold at auction later this month

The auction on March 22 marks 50 years since the release of the band's first album Please Please Me - including a collection of their Shea Stadium gig

The copyright of these photographs is included in the sale at Omega Auctions in Stockport on March 22

Brian Epstein is seen in the foreground looking out at the 55,000-strong crowd at Shea Stadium

The August 1965 concert, compered by television star Ed Sullivan, was one of the world's first big outdoor stadium gigs - and even the 2,000 security staff couldn't stop the overexcited crowd charging towards the stage.
Screams from the fans were so loud that the music could not be heard through the amps - and turning on the stadium's system used during baseball games didn't help either.
The brief set, consisting of 12 songs in half an hour, raked in $304,000 - then the biggest grossing event in showbiz history.
The collection is up for sale alongside rare Beatles vinyl and memorabilia to mark half a century to the day since the release of Please Please Me, the band's first album.
The collection of Shea Stadium photographs is expected to fetch £15,000 at a Stockport auction house later this month

The collection, capturing the world's first outdoor stadium gig on film, shows the band - including this shot of Paul , George and John at the peak of Beatlemania

Ringo behind his drumkit at Shea Stadium in August 1965
The winning bidder also wins the copyright for the photographs - so will be free to do whatever they want with them.
Record label Parlophone rushed through recording 14 songs for Please Please Me with producer George Martin after the single of the same name topped the New Musical Express and Melody Maker charts.
Last year, Rolling Stone magazine ranked the album as the 39th greatest of all time, in its top 500 list.
It also voted I Saw Her Standing There and the title track into its top 500 greatest songs of all time, at 139th and 184th respectively. 
The Beatles sing Twist and Shout at Shea Stadium
The Shea Stadium collection, taken by an amateur photographer, goes under the hammer this month alongside Beatles vinyl and memorabilia

The winner of the auction will also gain the copyright to the images

Ringo, pictured in front of the record-breaking 55,000-strong crowd at Shea Stadium, New York


That Hippie Penny Lane
Apple

LOYAL PA TO THE BEATLES,FREDA KELLY, IS FINALLY TELLING HER STORY


They were the biggest band in the world and she was their biggest fan. "You were there in the beginning," George Harrison told her. "You're there at the end." Freda Kelly was The Beatles' PA for more than a decade. She ran their fan club and was a trusted member of their inner circle. Yet her story has remained untold – until now.
Breaking her silence for the first time in 50 years, Ms Kelly gives a unique insight into the band she idolised. Just 16 when she saw them play at the Cavern in the early Sixties, a year later she was working for the band and part of the extended Beatles family.
Ringo Starr's mother, Elsie, "was the nearest to a mother figure for me. I just adored her." Paul McCartney's dad, "Uncle Jim", took her drinking, and George Harrison's father, Harry, taught her ballroom dancing.
As for John Lennon's aunt, Mimi: "It wasn't that you were frightened of Mimi: you just watched your p's and q's."
Freda Kelly was The Beatles’ PA for more than a decade


According to Paul McCartney's stepmother, Angie McCartney: "The Beatles saw her as a sister and the families saw her as a daughter."
Now a grandmother in her late sixties, Ms Kelly beams as she remembers having "crushes" on each of the Fab Four. But did things go any further than that? Speaking in a new documentary, Good Ol' Freda, named after a dedication by The Beatles on one of their records, she laughs: "No!" Then she quickly adds: "Pass. There are stories but I don't want anybody's hair falling out or turning curly. That's personal!" The film has its world premiere at the SWSX festival in Austin, Texas, on Saturday.
Regret at failing to answer her late son's questions about The Beatles, and wanting to leave a legacy for her two-year-old grandson, Niall, prompted Ms Kelly to speak up in the end. "I would like him to be proud of me and see how exciting my life was in the Sixties and the fun I had."
She could "visualise the devastation" after the death of the band's manager, Brian Epstein, in 1967. "He was the anchor for everything." Towards the end of the Sixties "the penny was dropping with me that we haven't got any Beatles as a group any more".
At the age of 27, pregnant with her second child, she quit and lived "a normal life like everybody else".
Still living in Liverpool, and working as a secretary, she is tearful thinking about old times. "It is shocking how many people have gone that I knew. Fame and money doesn't mean anything; all the wealth doesn't cure cancer does it? I worked with a lot of good people, I did. I loved them."
But her memories also bring a twinkle to her eyes as she declares: "I'm still a Beatle fan. So although there's a 50-year gap since I started it, I still like to think that I'm back where I was in the beginning."


That Hippie Penny Lane
Apple

PAUL´S TEEN DOODLE SNAPPED UP BY FAN PAYS £3,764 FOR ONE DOG-EARED SKETCH

A doodle drawn by when he was a teenager has fetched £3,764 at auction. 
The rare sketches, done by the Beatle during the late 1950s when he was studying at the Liverpool Institute High School For Boys, was sold by PFC Auctions last night amid a flurry of last minute bids. 
The drawings, multiple faces showing different expressions on a single sheet of paper, are rendered in pencil.


 


The set of hand-drawings was said by auction house PFC to be a 'rare' lot to come up for sale
The piece of work (we call it that now; then no doubt McCartney meant it as no more than idle doodles) measures 12.5in by 8in and is in good condition, with the exception of a small tear in the bottom right hand corner.
 
The character studies may not seem to be the most accomplished pre-cursor to an illustrious art career, but the sketch offers a charming insight into McCartney's fascination with the art world.
For more than two decades McCartney has been a dedicated artist and his paintings have been met with critical acclaim.
The Beatles and Wings star has said he finds art as much of an outlet for his creativity as music. 
'What I find is that I do it when I am inspired, and that's how I can combine it with music,' he says. 'Some days the inspiration is a musical one and other days it has got to be painting'.


Paul at an exhibition of his works at a Liverpool gallery



But despite showing early interest and, indeed, an early talent for art - he won a prize at the age of 14 for a drawing he did of St Aidan's church on the Speke housing estate where he lived - McCartney was long reticent about his talents, saying he felt inhibited by his lack of formal training.
'I felt that only people who had gone to art college were allowed to paint,' he admitted - although it has to be said a lack of formal music training never held him back from performing well in that arena either.
Formal training or not, his natural talent is undeniable. An ink drawing of his provided inspiration for the artwork for the Sgt Pepper album cover - which won wide acclaim, and was deemed by Beatles biographer Bill Harry to be the most recognisable album cover in the world.
In 1999 McCartney's work was displayed in a solo exhibition, Paul McCartney: Paintings, in Germany in 1999, curated by Wolfgang Suttner and has hung in various galleries in the UK too.
A coffee table book of his works with the same name was released the following year and his signed lithographs now sell for around £5,000 each.
Not bad for an untrained artist.


Young talent: McCartney as he would have looked as an art student around the time he did the sketches



That Hippie Penny Lane
Apple

LAS RECETAS CASERAS DE LOS MCCARTNEY





Las recetas caseras de una de las familias vegetarianas más conocidas, los McCartney, salen a la venta de la mano de Mary, la hija mayor de Paul y Linda, que ha recopilado en un libro todo que le gusta comer desde niña.
Fotógrafa de profesión y cocinera por vocación, Mary, de 43 años y un carácter sencillo y cercano, reconoció en una entrevista con Efe en Londres que sacar adelante su libro "Mis recetas caseras" fue un reto a varios niveles, empezando por su propia memoria.
"Nunca apunto las recetas en ninguna parte, cocino de memoria, algo que desespera a mi marido, que teme que un día deje de recordar cómo hacer los platos que gustan a mi familia. El libro me obligó a escribirlas y de esta manera poder conservarlas", explicó la hija del exBeatle.
Publicado en castellano por la editorial Grijalbo, "Mis recetas caseras" incluye una variada oferta de sencillos desayunos, brunch, platos principales y postres que formaron parte del día a día de los McCartney, que unen rapidez en la elaboración y sabor intenso.
"Así es como yo cocino. A menudo no tengo tiempo, con el trabajo, para llegar a casa, reunir a todos y luego pasar una hora y media o dos cocinando", explica la fotógrafa, responsable de varias campañas de su hermana, la diseñadora Stella McCartney, y su padre Paul.
La mayor de los hermanos McCartney busca ofrecer alternativas -"la gente adora los libros de cocina porque les gustan las ideas y nuevas soluciones", señala con media sonrisa- en un momento en el que la confianza de los consumidores se resiente por el escándalo de la carne de caballo detectada en envases etiquetados como vacuno.
"Es interesante porque este asunto ha traído a la luz mis principales preocupaciones como vegetariana con respecto a la carne", comenta Mary.
Sus inquietudes se dirigen hacia la industria cárnica, que "ha crecido tanto que es imposible mantener un beneficio de ello a no ser que baje mucho el coste", y la globalización, que hace que este tipo de crisis "te lleve a preguntarte de qué países procede esta carne y cómo ha entrado en la cadena alimentaria".
La hija del exBeatle sabe que su apellido aumenta el interés hacia el libro, al igual que ha ocurrido con otras publicaciones culinarias, como la aventura en octubre de Pippa Middleton, hermana de la duquesa de Cambridge, lanzada con gran expectación y posterior fracaso de ventas y críticas.
"Si alguien paga unas comisiones a un famoso para que sea la cara del libro y en realidad otra persona reúne las recetas, creo que eso no está bien. Si la persona que lo escribió tiene un interés real me parece justo", zanjó la mayor de los McCartney.
El libro de Mary coincide con la campaña "LoveLinda", la primera que la compañía de alimentación que fundó su madre, Linda McCartney Foods, realiza desde su creación hace quince años y que incluye un anuncio en el que ha participado de forma inédita el que fuera su marido, Paul, y el compositor Elvis Costello.
"Ha sido una coincidencia, pero creo que es algo bueno, porque tanto el libro como la campaña tienen una buena energía y funcionan bien juntos, como dos caras de una misma moneda", apuntó la autora.
Mary menciona repetidamente a su madre, Linda, fallecida en 1998, a los 56 años, de un cáncer y de la que ha heredado algunas costumbres, como el desagrado a cocinar sola, lo que hace que toda su familia participe en el proceso y, de esta manera, transmitir a todos las recetas vegetarianas.
"Se trata de educación, de haber crecido en una familia vegetariana. Piensa que en los 70 y 80, cuando yo era una niña, era mucho más difícil llevar esa dieta, ahora hay muchas mas opciones e ingredientes y ha desaparecido el estigma", apunta la mayor de los McCartney.
El principal problema, asegura, es que los profanos "tienen una imagen precaria de lo que significa", algo que se complica en países cuya cultura se fundamenta en la carne, "como en Polonia y Bulgaria", que expone como retos más difíciles para la conversión vegetariana.




That Hippie Penny Lane
Apple

ENTREVISTA A MARY MCCARTNEY


Mary McCartney y su libro libro de recetas


  Mary durante la entrevista en Londres
 

Hay vegetarianos que se sienten indispuestos ante la mera visión de carne roja. No es el caso de Mary McCartney,fotógrafa y vegetariana militante, que se inició en el vegetarianismo de sus padres a los cinco años pero no tiene problema en ver cocinar carne en los programas de la televisión. Hay defensores de la vida sana que se toman la vida como una cruzada contra los demás. Nada más lejos de las intenciones de la hija mayor de Paul y Linda McCartney. «No es mi estilo decir que comer carne es cruel y que el mundo va a estallar», explica en un lujoso hotel del centro de Londres, «no me gusta que me digan lo que debo o no debo hacer, por eso me centro en aportar soluciones para quienes desean comer menos carne».
En general, una entrevista sobre un libro de cocina debería empezar por el menú editorial que ofrece. No con la autora de «Mis recetas caseras. Cocina vegetariana para toda la familia» (Grijalbo), en quien la candidez que incorpora el apellido no está reñida con la truculencia de los thriller televisivos nórdicos. «Mi marido y yo acabamos de empezar la segunda serie de “The Killing” y ya me ha dicho que después veremos “The Bridge” y luego “Borgen”», explica al inicio de la conversación, en referencia a las series danesas y suecas que reinan en el género.
El nuevo libro de Mary, la mayor de los tres hijos que tuvieron Paul y Linda -fallecida en 1998 de cáncer de pecho- suma el frente culinario al periodo de éxito creativo de los McCartney. Su hermana Stella, dos años menor que ella, es una gran diseñadora - lo hizo para todo el equipo británico en los Juegos de Londres. Su hermano James (35 años), está a punto de publicar un disco. Y su padre sacó el año pasado «Kisses on the Bottom», un LP de versiones de canciones populares americanas con una foto realizada por Mary para la portada. «El disco salió en torno a San Valentín y queríamos flores, a mi padre le gustaba la idea de un ramo con forma de corazón pero no quería rosas, y jugamos con ello», recuerda.
Mary era la niña que asoma desde la chaqueta de su padre en la conocida foto de contraportada del primer disco en solitario de Paul, «McCartney». La imagen la tomó su madre, Linda. De ella cogió su hija mayor el arte de la fotografía, y fue Mary quien tomó las últimas instantáneas de su madre semanas antes de morir. Su primer libro de cocina ahora es un genuino intento de popularizar las posibilidades de la cocina vegetariana. «Mis recetas no son caras y los ingredientes no son nada exóticos», nos explica. Es fruto de su propio cometido como responsable de alimentar a cuatro hijos y un marido -«y un perro», matiza-. Pero el libro es, sobre todo, un homenaje al legado de su madre, y al recuerdo de los momentos familiares en la cocina de la granja en Escocia a la que se escapaban de niños. «Jugábamos a ver quién sacaba más patatas de la tierra, todavía recuerdo el susto la primera vez que arranqué una zanahoria del suelo», recuerda.
«La cocinera era mamá, aunque mi padre también cocinaba porque siempre ha sido muy consciente de lo que come; los dos se convirtieron en vegetarianos juntos», explica. ¿Hubo un momento de revelación? «Estaban tomando cordero en la casa de Escocia, mirando a los corderitos en el campo, y se plantearon que quizás no debían comer carne, yo era un bebé entonces», aclara. ¿Resaca del movimiento hippie? «No, ser vegetarianos les vino por conciencia del bienestar animal, eran hippies en el sentido de que les gustaba estar en la granja, comer verdura y tener sus gallinas, pero no fue algo ideológico», cree. Su madre Linda predicó con el ejemplo hasta límites excéntricos. «Tenía un caballo en un establo fuera de Londres, pero a veces le entraban ganas de montarlo y se lo traía a casa, cerca de los estudios de Abbey Road, y se paseaba con él calle arriba y calle abajo», recuerda divertida. «Y éramos los únicos de la zona con gallinas en el jardín, pero hacían demasiado ruido». Hoy día, disfrutar de la comida -«y del buen vino»- sin carne de por medio forma parte de una familia en la que todos son vegetarianos.



That Hippie Penny Lane
Apple

ELO´S ZOOM INCLUDE TRACKS WITH GEORGE AND RINGO




A number of rare Electric Light Orchestra and Jeff Lynne recordings have found a new home on Frontiers Records, the label that recently released new albums by both Lynne and his most famous musical endeavor, ELO.
The releases are ELO's Zoom, a 2001 release which has been unavailable for over ten years and which features appearances by Beatles George Harrison and Ringo Starr; Lynne's 1990 solo debut Armchair Theatre (Harrison shows up there too); and Electric Live Orchestra Live, which chronicles the first date of the Zoom tour at Los Angeles' CBS Television City, originally released as a DVD.
Each release includes additional tracks, with Live really upping the ante with four tracks that weren't on the original DVD release as well as two new unreleased studio tracks, "Out of Luck" and "Cold Feet."
Last year Frontiers released ELO's Mr. Blue Sky: The Very Best of Electric Light Orchestra and Lynne's Long Wave. Both albums were essentially covers: the former featuring brand new recordings of ELO classics, and the latter comprised of tracks that Lynne loved in his formative years in Birmingham, UK.
All three new re-releases will be available on April 19, 2013 in Europe and April 23 in North America.




That Hippie Penny Lane
Apple

OWNER RECLAIMS LIFE-SIZE JOHN SCULPTURE ON LOAN TO MOUNT DORA FOR 2 YEARS


    Fred Frascona takes a break next to a sculpture of John Lennon at the 36th annual Mount Dora Arts Festival.
          Fred Frascona takes a break next to a         sculpture of John .

MOUNT DORA — A sculpture of John was a favorite photo-op for tourists visiting Mount Dora.
Now, imagine there is no statute. It isn't hard to do.
Called "Imagine," after the famous Lennon song, the sculpture by Lawrence Holofcener became part of the landscape in Mount Dora. But in January, Holofcener removed the statue, just as he and his wife, Julia, were preparing to relocate to the U.K. — on the Isle of Wight, an island in the English Channel.
Quizás también le interese:

PAUL REVEALS HIS DEAREST WISH WOULD BE TO SEE HIS MOTHER AGAIN



  • Paul told a Brazilian fan he would go back and see her if he had a time machine

Words of wisdom: Paul McCartney, left, with his mother Mary and brother Michael during a family trip to North Wales
Words of wisdom: Paul McCartney, left, with his mother Mary and brother Michael during a family trip to Wales
Then he went to bed and cried all night, clasping his hands in prayer, promising God he would be good if only his mother could come back.
So, it comes as little surprise to learn this week that McCartney, now 70, has told a Brazilian fan that if he had a time machine he would like to ‘go back and spend time with my mum’.

To lose a mother at any age inevitably leaves a well of regret. To lose her at 14 can be devastating, and it’s quite possible the death of Mary McCartney in 1956 from an embolism after an operation for breast cancer, affected Paul’s life for ever.
His brother Michael, who was then aged 12, would later say how, just after their mother’s death, Paul’s growing interest in the guitar turned into an obsession.
Eight months later, in the summer of 1957, Paul was to meet John Lennon, who was also soon to lose his mother in a road accident. Paul believes their shared sense of loss helped bond them, cementing their early friendship.
Decades ago, when I was at a Beatles recording session at London’s Abbey Road, Paul took me into an empty studio, sat at a piano and played me a song he was writing.
It sounded to me like a hymn and, though at that point, he didn’t have many lyrics, one phrase he repeatedly sang that night stayed in my head for more than a year until the record was released. It was: ‘Mother Mary comes to me, speaking words of wisdom . . .’



Bereaved: McCartney told a Brazilian fan this week that he would see his mother if he had a time machine
The song, of course, was Let It Be. Paul would later say it came about as a result of a dream he’d had in 1968, when, though The Beatles were at the height of their fame and creativity, fissures had begun appearing in the camaraderie of the band.
John Lennon had recently become attached to Yoko Ono, and the future looked uncertain for The Beatles, which devastated Paul.
Suddenly, in the middle of the turmoil, he found himself dreaming about his mother.
‘There was her face, completely clear, particularly her eyes,’ he would recall. ‘And she said to me very gently, very reassuringly: “Let it be.”
‘It was lovely. I woke up with a great feeling. It was really as if she’d visited me at this very difficult moment in my life and had given me this message: “Be gentle, don’t fight things, just try and go with the flow and it will work out.” ’
We are all products of our upbringings — McCartney no less than anyone else. So what kind of parents did he have, and what was she like, the mother who, at 47, died so young and so suddenly?
Like many of their generation, Jim and Mary McCartney were, when they married in 1941, already in their 30s, an aspirant lower-middle-class couple in the largely working-class city of Liverpool.
Jim, who worked as a firefighter during the Blitz, was a cotton salesman, and Mary was a midwife.
In fact, having been in charge of the maternity ward at Walton Hospital, Liverpool, she was awarded the privilege of giving birth to Paul in a private ward. Her ambition for her elder son was that he would become a doctor.
Jim McCartney, a lovely man, had a little jazz band before he married, so there was music in the family.
Though the cotton industry was to go into decline after the war, meaning Jim never earned much, his wife’s wages and ambition saw the family eventually move to a pleasant estate in the green Liverpool suburb of Allerton.
From there, Paul and Michael passed the 11-plus to go to the best grammar school in Liverpool, the Institute.
Paul was clever and always industrious, but he admits he could be a handful, too.


Family portrait: Michael (left), mother Mary, father Jim and Paul (right)


When Mary would correct his strong Liverpool brogue, he would imitate her deliberately posher accent, and then be upset when she was, understandably, hurt.
And when, one washing day, she found a cartoon of a naked woman he’d drawn to amuse the boys at school in his shirt pocket, she sternly demanded an explanation. He was mortified with shame.
By the mid-Fifties, the McCartneys were doing well and, for Mary, life must have seemed splendid, until in 1956 she began to complain of pains in her chest.
She put it down to the menopause, and her GP agreed. But then the pains got worse, and when 12-year-old Michael one day came home from school and found her crying, she went to see a specialist. Breast cancer was diagnosed and she was told she would need an immediate operation to remove the tumour.
Despite instructions to rest, the day before she went into hospital she cleaned the house and washed and pressed her sons’ clothes.
She wanted, she told her sister, to leave everything ready, ‘in case I don’t come back’.
The following day, Paul and Michael went to see their mother after the operation. There was blood on the white sheets. ‘It was terrible,’ Paul would remember.
Mary’s condition quickly deteriorated and just an hour after they left, she received the last rites. Her strength ebbing away, she turned to her sister and said: ‘I would have liked to see the boys growing up.’
Jim McCartney was devastated. Seeing him crying was the worst thing for Paul.
‘You expect to see women crying . . . but when it’s your dad, it shakes your faith in everything,’ he said.
Somehow Jim struggled on, caring for his teenage sons. Mary and Jim had wanted Paul to go to university, but soon music filled his world.
As with all those who lose a parent when young, thoughts of his mother never left Paul McCartney.
Nine years after her death he would, without the help of any of the other Beatles, write and record his most famous song, Yesterday.
Loves of his life: Paul with first wife Linda McCartney, right, and on his wedding day to wife Nancy Shevell, left


Once again it was a melody that came to him in, he believes, a dream. The lyrics, however, might be telling.
‘I said something wrong, now I long for yesterday,’ he sings. Was that a veiled reference to the words he wished he’d never said on hearing the news of his mother’s death?
On that night in 1968, when he played me Let It Be for the first time, my impromptu private audience was cut short when a young, fair-haired American woman in a raincoat turned up at the studio along with her small daughter. Her name was Linda Eastman, and she and Paul were to marry, in the face of much opposition from the group’s fans, a few months later.
‘It was as if my mum had sent me her,’ he would say.
From all the traumas and trials of The Beatles relationship break-ups, theirs was to become a spectacularly happy marriage, with Linda a rock at his side, helping create the close family life that had been cut short in his teenage years.
Their first daughter was named Mary, after his mother, and when, following the birth of Stella, a son was born, he was called James, after Paul’s father.
For 30 years Paul and Linda were inseparable, so when she was diagnosed with breast cancer in the early Nineties it must have seemed that a terrible blight of history was repeating itself.


By that time, Paul was vastly rich, but still managing to live as normal a family life as possible for a man who had once been a Beatle and who still toured the world.
Linda was the centre of the family, and when she died in 1998 Paul was, for a long time, inconsolable. No doubt his grief for Linda brought back the loss of his mother.
For Paul to wish he could go back in time and get to know his own mother better is entirely in character for a man whose childhood was, in many ways, cut short by her early death.
Youth is inevitably a selfish time, and it’s only as we get older that we begin to see the world from the perspective of those who’ve gone before us and to understand the struggles they made on our behalf.
By sending her sons to a prestigious grammar, Mary was helping endow Paul with ambition. She didn’t live to see how he used it, but one suspects she’d have been proud when, with his backing, that school was refounded as the Liverpool Institute Of Performing Arts.
John Lennon, George Harrison, Ringo Starr and many others helped make Paul McCartney the man he became, but Jim and Mary McCartney shaped him first.
n THE Ray Connolly Beatles Archive is available as an eBook on Amazon.





That Hippie Penny Lane
Apple

jueves, 7 de marzo de 2013

"MERSEY BOYS" FILM 2014 - TRAILER


"Mersey Boys" 2014 Trailer

A story about Beatles' rise to fame. Produced and directed by Steven G. Farrell and Mike Stefan Strozier. Cinematography and editing: Angeo Mar/ Baby Monaco Productions

  




That Hippie Penny Lane
Apple

RINGO LIVE DVD: "RINGO AT THE RYMAN"

Ringo Starr is a living legend whose contribution to the roots of rock and roll is immeasurable, not only as a Beatle, but also through his prolific and successful solo career.



In gathering a new group of iconic rockers to play as the All Starr band each tour, every configuration offers a new and memorable moment where we get to experience songs we all know and love.
Ringo At The Ryman, filmed on July 7, 2012, celebrates Ringo’s birthday with an extra special lineup touching on some unforgettable hits spanning four decades from Steve Lukather (Toto), Richard Page (Mr. Mister), Mark Rivera (Billy Joel), Gregg Rolie (Journey, Santana), Todd Rundgren and Gregg Bissonette. The set list is undeniably familiar: ‘It Don’t Come Easy,’ ‘Act Naturally,’ ‘Photograph,’ ‘I Wanna Be Your Man,’ ‘Yellow Submarine,’ and his bandmates’ contributions ‘Roseanna,’ ‘Black Magic Woman,’ ‘Kyrie’,’ ‘Bang the Drum All Day,’ and so many more.
During the show at the Ryman, the All Starrs weren’t the only stars out that night. Joe Walsh makes a special guest appearance to play ‘Rocky Mountain Way’ and is then joined for the encore, ‘With A Little Help From My Friends,’ by his daughter Lucy and some of Nashville’s finest players such as Brendan Benson, Kix Brooks, Gary Burr, Vince Gill, Brad Paisley and former All Starr alums Felix Cavaliere and Richard Marx.
Ringo at the Ryman is a musical journey featuring great players and great classic hit songs, all-in-all a momentous celebration, and a heck of a birthday party.

‘RINGO AT THE RYMAN’

The 2012 All Starr Band

1. Open / Matchbox ‘ Ringo Starr
2. It Don’t Come Easy ‘ Ringo Starr
3. Wings ‘ Ringo Starr
4. I Saw The Light ‘ Todd Rundgren
5. Evil Ways ‘ Gregg Rolie
6. Rosanna ‘ Steve Lukather
7. Kyrie Eleison ‘ Richard Page
8. Don’t Pass Me By ‘ Ringo Starr
9. Bang The Drum All Day ‘ Todd Rundgren
10. Boys ‘ Ringo Starr
11. Yellow Submarine ‘ Ringo Starr
12. Black Magic Woman ‘ Gregg Rolie
13. Band Intro / Happy Birthday
14. Anthem – Ringo Starr
15. I’m The Greatest – Ringo Starr
16. Rocky Mountain Way ‘ Joe Walsh
17. You Are Mine ‘ Richard Page
18. Africa ‘ Steve Lukather
19. Everybody’s Everything ‘ Gregg Rolie
20. I Wanna Be Your Man – Ringo Starr
21. Love Is The Answer ‘ Todd Rundgren
22. Broken Wings ‘ Richard Page
23. Hold The Line ‘ Steve Lukather
24. Photograph – Ringo Starr
25. Act Naturally – Ringo Starr
26. With A Little Help From My Friends / Give Peace A Chance

The All Starr Band:
Ringo Starr: Drums, Vocals
Steve Lukather: Guitar, Vocals
Todd Rundgren: Guitar, Vocals
Richard Page: Bass Guitar, Vocals
Gregg Rolie: Keyboards, Vocals
Gregg Bissonette: Drums
Mark Rivera: Saxophones, Percussion, Vocals

Special Guest:
Joe Walsh: Guitar, Vocals






That Hippie Penny Lane
Apple

RED NOSE DAY 2013


Red Nose Day 2013 T-Shirts Designed by Stella McCartney


Stella McCartney has created four fashionable charity t-shirts for this year’s Red Nose Day, which takes place on Friday 15th March.

The Beatles - as photographed by Linda McCartney, actress Marilyn Monroe, model Kate Moss and comedian Tommy Cooper have all been given the Red Nose Day treatment. The t-shirts are available to buy from the charity’s store and TK Maxx along with a giraffe design for children and babies. 25 customised limited edition versions are also available from Stella’s store in Mayfair and Brompton Cross.

The t-shirts have been manufactured entirely in Africa with 100% of the cotton sourced from Fairtrade certified co-operatives in Mali.

For the past 25 years Red Nose Day has been raising funds for people in need in the UK and Africa. For more information on the charity head over to their website HERE!



That Hippie Penny Lane
Apple


miércoles, 27 de febrero de 2013

GEORGE EXHIBITION IN LIVERPOOL: FROM 26 FEBRUARY TO 8 MARCH


One of the artists and organisers of the For George exhibition at Liverpool Academy of Arts on Seel Street, honouring the life of former Beatle George Harrison to mark what would have been his 70th year. The show that runs from 26 February to 8 March.




John James Chambers, founder of the Liverpool Beatles Appreciation Society, said: “It is only right that we honour George, his character and his creative genius on what would have been his 70th birthday. Musically he was very special and what The Beatles did will never happen again.”


That Hippie Penny Lane
Apple